These lead-free, food-safe glazes achieve beautiful, authentic Cone 10 reduction effects without
a reduction gas kiln or firing at that high temperature. We now stock some glazes in gallons as indicated. We can special order gallons for the other glazes if you call us at 503-283-1353.
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PC1
Saturation Metallic
A satin metallic black glaze that resembles steel and other metals. Restricted from use in K-6 school art programs - NOT FOOD SAFE |
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PC2
Saturation Gold
A smooth, satin/matte finish that is a dark gold similar to bronze when fired. Requires a heavy application to develop its gold metallic finish. Restricted from use in K-6 school art programs |
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PC4
Palladium
A mirror-like finish when fired and adds beautiful, shimmering accents to any work. Not food safe, and requires 3 coats to develop the smooth mirror finish. This glaze is fluid, so be careful not to overfire. Best for low porosity bodies. Restricted from use in K-6 school art programs |
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PC9
Vintage Gold
A glossy metallic glaze which develops small triangular gold crystals with dark haloes like a glittering patina. This opaque glaze does not break over texture. For best results apply three even brush coats. Glaze may run. |
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PC10
June Bug
A glossy, dark green metallic glaze that develops small triangular iridescent crystals, like the wings of a beetle. This opaque glaze does not break over texture. |
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PC11
Blue Spark
A glossy, royal blue glaze which develops small triangular dark gray metallic crystals that make this glaze look like lapis lazuli. This opaque glaze does not break over texture. For best results apply three even brush coats. Glaze may run. |
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PC12
Blue Midnight
A glossy black glaze that breaks into blue highlights where thick. Blue Midnight benefits from a heavy application - it creates more separation from the base glaze to the float. Texture accentuates this effect. |
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PC13
Serptentine
A semi-matte soft green glaze that breaks light blue over texture. |
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PC14
Lapis Flow
A flowy glaze, varying in color from soft blue to purple and breaking green over texture. |
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PC15
Satin Oribe
A modern take on a traditional Japanese Oribe glaze, Satin Oribe adds a wonderful blue-green burnished look to your wares. Over texture, the dark green pools and light grey breaks bring an extra level of depth to this opaque glaze. |
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PC16
Purple Crystal
A matte violet glaze for Cone 5 that becomes glossy deep indigo with purple crystal floats at Cone 6. |
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PC17
Honey Flux
A creamy color that increases flow when layered over glazes. Opaque honey and cream at Cone 5 that shifts to a beautiful fluid white with honey flecks at Cone 6. |
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PC18
Tuscan Blue
A deep blue, semi-matte glaze that breaks light blue to moss green over texture. |
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PC19
Moon River
A dreamy, flowy glaze shifting in color from a soft periwinkle to a milky blue. |
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PC20
Blue Rutile
An active, complex glaze that is a flowing light blue where thick and breaks brown where thinner. A very fluid glaze. |
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PC21
Arctic Blue
A a beautiful, opaque light blue that has a smooth, consistent surface and breaks tan over texture. Arctic Blue benefits from a heavy application. |
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PC22
Blue Stone
Similar in texture to a worn stone found at the bottom of a river and carries a softness that is visible in its smooth blue-green matte color. The different shades of green feathers into dark blues when applied over textured surfaces. |
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PC23
Indigo Float
An intensely blue glaze with a lighter blue surface float. This rich cobalt glaze breaks deep blue where thinner. Great for layering with other potters choice glazes! |
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PC24
Sapphire Float
A glossy, denim-blue glaze with a wispy white rutile float, that breaks a green-gray color over texture. The rutile float dramatically flows with texture and forms beautiful naturally flowing patterns. |
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PC25
Textured Turquoise
A subtle turquoise gloss, green-beige where thin, but a beautiful aqua where thick. It is a fluid glaze. Restricted from use in K-6 school art programs |
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PC26
Blue Lagoon
The cool tones break milky green and pool into light blue shallows when applied over deep texture. When heavier coats are applied, it allows the glaze to float up and create interesting surface variations. A fluid glaze. |
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PC27
Tourmaline
An intense, opaque blue-green glaze that forms a smooth, strong surface. Goes well layered with other potters choice glazes! |
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PC28
Frosted Turquoise
An opaque gray-blue glaze that appears to crackle over deep blue but has a smooth, satiny surface. Great for subtle, simple forms, and benefits from a heavy application to achieve its color breaking effect. The glaze color is susceptible to variation due to iron fuming from nearby pots in firing. |
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PC29
Deep Olive Speckle
A rich, translucent, glossy green glaze with darker green speckles. This glaze contains black speckles that may clog a spray gun. Make sure glaze is well-mixed for even distribution of speckles. |
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PC30
Tenmoku
A textured, satin-matte dark brown/tan speckled glaze that looks great layered beneath some of the more fluid Potter's Choice glazes. With its consistent surface and reliable results, this glaze makes a fantastic liner for cups, pots, bowls, and other ware. |
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PC31
Oatmeal
A toasty, light beige glaze that is relatively translucent and breaks clear over textured surfaces. Try layered over PC-33 Iron Lustre! |
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PC32
Albany Slip Brown
Like the traditional potter's glaze that inspired it, Albany Slip Brown is fluid and butter colored where thick and russet where thin. |
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PC33
Iron Lustre
Breaks to a reddish brown where thin with blue-gray floats where thick. It's gorgeous on texture and layers well with other Potter's Choice glazes. |
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PC34
Light Sepia
An opalescent grey glaze that features strong variations on textured ware. This glaze breaks golden beige where thin and lends well to layering with our other Potters Choice Glazes. |
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PC36
Ironstone
A glossy, dark glaze that is a deep chocolatey brown where thin with a beige-bronze float where thicker. Mixes well with other Potter's Choice Glazes. |
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PC38
Iron Yellow
A glossy, soft yellow glaze with flecks of iron, that is relatively opaque, and breaks clear over texture. Excellent as a liner glaze for pots where the goal is to show off the decorations on the outside of the vessel. |
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PC40
True Celadon
A delicate light green glaze that reproduces the effects of traditional Asian celadons. This glaze has great color response when layered with our other Potter's Choice glazes. Restricted from use in K-6 school art programs |
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PC41
Vert Lustre
A beautiful flowing green glaze with a metallic sheen like that of ancient Persian Lusterware. This glaze reacts well to texture and has great effects when layered with other Potter's Choice Glazes. Restricted from use in K-6 school art programs |
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PC42
Seaweed
A fluid, deep green glaze that breaks brownish over texture and becomes more fluid with thickness. Pay attention to application thickness so the glaze does not flow onto kiln shelves during firing. Restricted from use in K-6 school art programs |
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PC43
Toasted Sage
An opaque, warm gray glaze that has subtle, frothy tones of pink and green. This glaze layers very well with other Potter's Choice glazes - particularly as a topcoat. |
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PC44
Sage
An opaque, warm gray-green glaze. This glaze layers very well with other Potter's Choice glazes - particularly as a topcoat. |
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PC45
Dark Green
A mirror-like. Restricted from use in K-6 school art programs |
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PC46
Lustrous Jade
A fluid, translucent emerald glaze that shows off textured and carved ware. Use over a wash of our High Fired Texturizer for added definition. Restricted from use in K-6 school art programs |
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PC47
Emerald Falls
A beautiful glossy green glaze that breaks lighter and pools into a mauve grey-green. When heavier coats are applied, this allows the glaze to float up and create interesting surface variations echoing mossy patches found in rolling emerald landscapes. |
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PC48
Art Deco Green
A glossy, light blue-green glaze that floats metallic spots to the surface resembling a patinated copper roof. Clay body and application can affect the size and abundance of the metallic spots. Restricted from use in K-6 school art programs |
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PC49
Frosted Melon
A very unique glaze with a massive, beige float in heavy applications. This float "cracks", showing the green of the glaze below while still maintaining a smooth, satin surface. Beautiful on smooth and textured ware alike. The glaze color is susceptible to variation due to iron fuming from other pots nearby in firing. Restricted from use in K-6 school art programs |
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PC52
Deep Sienna Speckle
A warm, rich russet glaze that is translucent with dark speckles that resemble reduction stoneware glazes. For more depth and concentration of color, apply thicker. This glaze contains black speckles, so make sure glaze is mixed well to assure they are well dispersed. Specks may clog your spray gun. |
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PC53
Ancient Jasper
A fluid, opaque glaze that transitions from soft black to olive green to rust red as it is applied thicker. This glaze has an active, varied surface by itself and layers with other Potter's Choice glazes with striking results. |
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PC55
Chun Plum
A pink-red translucent glaze that breaks light tan over textures. This glaze imitates the copper reds of Asia but with a reliable color response in oxidation firings. Layer over other Potters Choice glazes for a warmer tone and hints of pink and red. |
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PC56
Ancient Copper
Inspired by classic tomato red reduction glazes for an iridescent, iron red glaze that breaks dark brown over texture and pools dark yellow-green, giving it a weathered appearance. Satin at cone 5, more glossy with metallic floats at cone 6. AVOID slow-cooling cycles when firing.
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PC57
Smoky Merlot
A warm, dark purple glaze with a soft float of lilac over the surface. This glaze looks stunning on smooth surfaces, over textured surfaces, and layered with our other Potters Choice glazes. |
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PC59
Deep Firebrick
An opaque, speckled brick red glaze that breaks translucent where thin. This bold, dark red glaze contains black specks that may clog spray guns. Make sure glaze is well-mixed to ensure even distribution of speckles. |
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PC61
Textured Amber
A semi-matte brown glaze that has a varied, translucent surface with a textured float of opaque tan speckles. Try layering this glaze with our other Potter's Choice glazes! |
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PC62
Textured Amber Brown
A glossy brown glaze that breaks lighter where thinner like a traditional temmoku glaze. This glaze layers well with our other Potter's Choice glazes and produces fluid, beautiful effects. |
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PC63
Cosmic Tea Dust
A sparkly, dark brown glaze, which breaks a light yellow-brown over texture. The sparkle shifts subtly from silver to copper to give the glaze an iridescent quality. |
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PC64
Aventurine
An amber glaze with crystal flecks, that breaks golden over texture and pools a darker shade in recessed areas. This glaze is fluid, so leave room for vertical flow. Testing is recommended to find the proper application and firing. |
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PC65
Black Aventurine
A fluid, rich black glaze that develops a metallic sparkle. If slow cooled, this glaze will grow crystals. |
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PC66
Cosmic Oil Spot
A dark glaze with shimmery flecks that create streams and spots of color similar to a traditional hares fur. |
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PC67
River Rock
The sandy, dark brown tones feather into a beautiful ebony before breaking into a rich amber when applied over texture. Subtle green-grey honeycomb shapes appear underneath the amber breaks when this glossy glaze is applied on vertical surfaces. |
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PC68
Golden Honey
Semi-gloss warm yellow. A translucent glaze like whipped honey. Breaks lighter on texture, a richer color where thick. |
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PC69
Cosmic Gold Dust
A parkly gold glaze with subtle specks of reds and browns in the light. |
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PC70
Copper Red
An oxblood red that gives the same results in oxidation as a traditional reduction copper glaze. Breaks clear on edges or where thin. |
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PC71
Flambe
A copper red glaze with tones of purple and blue, that gives the same results in oxidation as a traditional reduction copper glaze. Breaks clear on edges or where thin. |
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PC72
Fire & Ice
A deep red where thick and icy blue where thin. A reduction copper red for electric firing with a dramatic icy, blue-colored break on texture. Apply three coats for the best oxblood red color. |
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These glazes benefit from a heavy-handed application ... except for PCF74 River Birch and PCF Moss Mist, which can both run. Apply fewer or thinner coats near the base of the ware when using these glazes. Stir or shake PCF74 River Birch really well before glazing. Click HERE for a PDF on layering and application of 1, 2 and 3 coats, all fired to cone 5. Apply on cone 04 bisque, fire to cone 5-6. These are all food safe glazes. Texture will highlight the beauty of these glazes.
This is a glossy transparent glaze that produces attractive high fire glossy effects at the mid-range temperatures. Zinc can cause some pigments in slips and underglazes to shift in color, this clear glaze was formulated to prevent those color shifts. --Safety Warning-- Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.